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"I shall feel regret," says, Mona, brokenly, the tears running down her cheeks. Standing with his back to her (being unaware of her entrance), looking at the wall with the smaller panels that had so attracted him the night of the dance, is Paul Rodney! "An' the biggest birds, an' as full o' corn as iver ye see, the rogues!".

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"When he was tired of staring, he said, 'I suppose I am speaking to——' and then he stopped. 'Mrs. Rodney,' replied I; and then he raised his hat, and bowed, and gave me his card. After that he mounted again, and rode away." It strikes Geoffrey as part of the innate sweetness and genuineness of her disposition that, after all the many changes of thought that have passed through her brain on their return journey, her first concern on entering her own doors is for the poor unhappy creature in the cabin up yonder. "Oh, yes, you may go," says Mona. Geoffrey says nothing. He is looking at her with curiosity, in which deep love is mingled. She is so utterly unlike all other women he has ever met, with their petty affectations and mock modesties, their would-be hesitations and their final yieldings. She has no idea she is doing anything that all the world of women might not do, and can see no reason why she should distrust her friend just because he is a man. "He is not strong, you see: a little thing knocks him up, and he is too impressionable for a public career. But you are different.".